
Preston Sturges's "The Lady Eve" might be the most breathless, cynical, satirical,slapstick filled romantic comedy of classic Hollywood pairing the ultimate con artist and her innocent rube.
The complicated plot of masked identities, revenge and romance can be best summed by the character of Jean "aka" Eve, expertly played by Barbara Stanwyck, to Hopsie early in the movie:
"You see, Hopsie, you don't know very much about girls. The best ones aren't as good as you probably think they are, and the bad ones aren't as bad. Not nearly as bad."
In her own wounded, smart and malicious manner, Eve sets out to prove her statement to a very befuddled and unworldly "Hopsie" played by Henry Fonda. Fonda's career was made by playing upright, forthright and innocent characters from Tom Joad to Abe Lincoln.
By the time, Hopsie proposes to Eve for the second time, he uses the same trite speech again and she is able to anticipate him and trumps him with great flair:
Charles:I think that if there's one time in your life to be careful, to weigh every pro and con, that this is the time.
Eve: Oh yes, you, you can't be too careful.
Charles: That's right. Now, you might think that having known you such a short time...(The horse nuzzles against his head)
Eve: I-I feel I've known you always.
Charles: That's the way I feel about you. (The restless horse behind them whinnies and butts between them with its nose.) I don't just see you here in front of the sunset. But you seem to go way back. I see you here but at the same time, further away and still further away, and way, way back in a, a long place like a...(The horse nuzzles against him again.)
Eve: Like a forest glade.
Charles: That's right. How did you guess?
Eve: Because, that's where I see you always. We held hands, way, way back.
Charles: Why, that's remarkable. That's like telepathy.
Eve: I can read many of your thoughts. (The camera angle abruptly shifts, taking their perspective from behind as they look at the sunset.)
Charles: Then, I need hardly tell you of the doubts I've had before I brought myself to speak like this. (He pushes the horse away one more time.) You see Eve, you're so beautiful, you're so fine, you're so...I don't deserve you. (The camera returns to the original, head-on shot.)
Eve: Oh but you do, Charles. If anybody ever deserved me, you do. So richly.
Charles: Eve!
Eve: Charles!
Yes, Hopsie so richly deserves Eve.In the best of Hollywood traditions, the lovers reunite with a sly wink to modern sensibilities:
Jean: You really haven't the right to drag me off like this, Hopsie...Why didn't you take me in your arms that day...Why did you let me go? Why did we have to go through all this nonsense? Don't you know you're the only man I ever loved? Don't you know I couldn't look at another man if I wanted to? And don't you know I waited all my life for you, you big mug.
Charles: Will you forgive me?
Jean: For what? Oh you mean, on the boat. The question is, can you forgive me?
Charles (naively): What for?
Jean: Oh, you still don't understand.
Charles: I don't want to understand. I don't want to know. Whatever it is, keep it to yourself. All I know is I adore you. I'll never leave you again. We'll work it out somehow. There's just one thing. I feel it's only fair to tell you. It would never have happened except she looked so exactly like you. And I have no right to be in your cabin.
Jean: Why?
Charles: Because I'm married.
Jean (softly): But so am I, darling. So am I.
James Harvey offers an excellent recounting and criticism of this movie noting Stanywyck's inherent sadness in her characterization of Eve which makes a direct connection to the audience. No false pretenses, make-up or fashionable Edith Head wardrobe masked her ability to access the audience completely in an honest, open manner. She is rough,delicate and maintains a subtle understanding that this is all merely pretend but, damnit,it better be good is the foundation of any Stanwyck performance.